![]() Even more remarkable, though, is that Zombie was able to direct the high-profile film for Universal without watering down his unconventional and idiosyncratic style. What is so remarkable about the film is that a major movie studio - Universal, who owns both The Munsters property and the 1930s horror films it was inspired by - was willing to hand the reboot over to a somewhat controversial independent filmmaker known for extremely gory and disturbing movies like House of 1000 Corpses and The Devil’s Rejects. Rob Zombie’s The Munsters is a prequel to the original sitcom, and shows how the Frankenstein’s monster-inspired Herman Munster (Jeff Daniel Phillips) and Bride of Frankenstein-inspired Lily Gruesella (Sheri Moon Zombie) met, fell in love, and moved to suburban California to raise a happy family. The consensus for negative reviews was that the film was all style and no substance. “In a release slate that has become progressively homogeneous,” wrote Zigler, “shouldn’t weird, outsider art probe us to consider that particular art as increasingly vital?” Somewhat ironically, many reviews of The Munsters now declared that the film’s visuals were its only redeeming quality - a complete about-face from the public’s initial reaction. ![]() Paste Magazine published a new article entitled “Rob Zombie’s Munsters Is a Miracle,” where Brianna Zigler sang a paean to Zombie’s ability to produce unique independent films in an industry that largely didn’t want him there. The entertainment-focused Paste Magazine ran with the headline “Watch the Embarrassingly Bad First Trailer for Rob Zombie’s The Munsters, If You Dare,” in which writer Jim Vorel described the trailer as “terrible,” “embarrassingly amateurish and cheap,” and “like a high schooler’s attempt to replicate Dario Argento’s Suspiria.”īut once the movie actually released, many changed their tune. Even some news sites jumped on the bandwagon. “This looks like a movie I’d make in my HIGH SCHOOL film class,” wrote Xblade_Bukowski. “This looks more like a parody skit than an actual trailer to a movie,” wrote CAPTAIN_JUNEBUG99. ![]() “This looks like the old Goosebumps show if it had an extra 30$ added to the budget,” wrote Nekko G. Nearly every YouTube comment on the trailer was negative and, again, almost all were about the film’s appearance. But once the movie’s first trailer dropped in July 2022, the floodgates opened to a deluge of insults, mockery, and online hate. At first, fans were worried that the movie might not be in black-and-white like the original. (summary of an article in austinchronicle.As soon as it was reported that Rob Zombie was going to make a film version of the 1960s monster sitcom The Munsters, the discussion became centered around the movie’s visual appearance. It is, in a word, undignified.īut Jennifer really brings the dignity, even in Phenomena.īeside the chimp incident, it's interesting that the clothes that Jennifer was wearing in the movie were designed from Armaini, including a sweatshirt embossed on the back with a giant gold eagle (the Armani logo), a pair of signature high-waisted pleated trousers, and an all-white outfit she wears throughout the climactic horror sequence (This rumor, while hard to substantiate, is believable actress Daria Nicolodi, who had a daughter with Argento, describes his animal-handling skills as limited to handing Inga a straight razor and inciting a chimp freak-out.) If you were Connelly, this might just be the sort of trauma you wouldn't want to linger on. The story is that director Dario Argento urged Connelly to turn the chimp toward the camera during an early scene, Inga retaliated, a hospital reattached the digit, and shooting proceeded as before. She was either 12 or 13 during filiming Phenomena, aka Creepers.ĭuring filming there was the incident with Inga the chimp. In Phenomena, Jennifer plays Jennifer Corvino, the daughter of a famous American film actor sent to a Swiss boarding school where she is taunted for her sleepwalking disorder by accented mean girls and a sadistic headmistress.
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